For More on how you can get involved, check out our cool video!

It’s an honor to co-write and co-direct this powerful new play created by the TE’A Project – based on conversations with recently returned Veterans from the wars in Iraq and Afghansitan. 

Directed by Michael Goldfried & Stefano Brancato
Original music by Alexander Gemignani

More on Cadence: Home

And an interview in NY Theatre.com 

Much thanks to the Anna Sosenko Assist Trust.
This invaluable grant will allow us to continue developing the show and adding original music. Stay tuned as things progress!

I’m honored to have been selected to join the New York Foundation of the Arts’
Artist as Entrepreneur Boot Camp.

A special intensive program that focuses on business and  financial strategies for selected artists in the Performing, Literary and Visual arts.

For more on NYFA’s cool programs and a link to the book “The Profitable Artist: A Handbook for all Artists in the Performing, Literary and Visual Arts”, go here.

The panel I’m a part of has the rollicking title:

You Call THAT Theatre? Reconsidering the Relationships Between Audience, Artists and Theaters

This lively discussion examines the re-emergence of immersive “event” plays in the American theatre. What innovative forms of storytelling and audience engagement are part of this movement? How can this kind of theatre be supported by current models for play developing, producing and performing – and what new models are emerging? What if we broke all the established rules of our theatre’s space and audience expectations? What if we brought in new audiences, kindled relationships with new artists, allowed opportunities for leadership to younger staff and encouraged cross-silo collaboration? Come join us as we discuss best practices and encourage new ideas on what “theatre” can be.

Have you seen Sleep No More in NYC? If you can: Go!

Having just explored elements of immersive theater directing a workshop of “The Indelible Mark on Edward Barron” and this past winter in “Mrs Smith Presents…”, I’m excited to to exchange ideas on how environmental theater can fuse with more traditional narrative forms to make great theater.